Director: Aline Brosh McKenna Writer(s): Aline Brosh McKenna Genre: Romantic Comedy Filming: Filmed in New York City and Los Angeles in 2021 Budget: Box Office: The film was in the top 10 in 92 countries in its first week. In its first 10 days, it had 56.7 million views, topping the charts for English language movies. In its second weekend it had 53.8 million hours viewed (Variety). Runtime: 111 minutes Rating: PG-13

When best friends and total opposites Debbie and Peter swap homes for a week, they get a peek into each other’s lives that could open the door to love.

Ashton Kutcher … as Peter Coleman
Wesley Kimmel … as Jack
Zoë Chao … as Minka
Jesse Williams … as Theo Martin
Tig Notaro … as Alicia
Steve Zahn … as Zen

February 10th 2023 (Netflix)

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• The Guardian: “It seemed for a brief period that Witherspoon, after years of coasting with plane movies, had finally returned to Earth. Her early work had shown a daring young actor who operated without fear and constraint, pushing herself and us as an audience with dark and demanding films like Freeway, Election, American Psycho, Best Laid Plans and Pleasantville. The deserved success of 2001’s delightful crowd-pleaser Legally Blonde slowly trapped her in cutesy mode, cast as America’s sweetheart, defanged and without real challenge. It was 2014’s adaptation of Cheryl Strayed’s Wild that pulled her back from the brink, a barnstorming reminder of what she can and is willing to do, leading to a small role in Inherent Vice and the knotty domestic thrills of Big Little Lies. It was short-lived though, with most of her time now devoted to Apple’s laughably awful hate-watch The Morning Show. Your Place or Mine serving as her big-screen return is another blow, the kind of forgettable fluff she would have led a decade or so ago.”

• Roger Ebert: “Trouble is, we know the film’s stars are capable of so much more. Reese Witherspoon and Ashton Kutcher are, of course, great-looking and charismatic, and both have perfectly snappy comic timing after all these years. So it’s frustrating watching them try to take this safe, bland material and make it sing.”

• Entertainment Weekly: “What should be breezy, featherweight fun — Reese! Ashton! A screenplay by the lady who wrote The Devil Wears Prada and 27 Dresses! — instead turns out to be oddly hollow, a meandering and synthetic approximation of classic rom-com canon with too little romance or comedy in its strained, familiar formula.”

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